Tuesday, October 24, 2017

1901 - Smile!, It's a Vegetable Peach!




F. C. Huntington and Company's illustration for the Vegetable Peach field made me smile.  

I posted on the Vegetable Peach of A. T. Cook early last year as his illustrations are even goofier!  

Information on the melon's use today is also there.  
(Yes, it is a melon!)




I really do have to try growing these for fun.  Maybe I could give seeds to my neighbor who has the room.

 I need a garden allotment!!  My own garden is small, hacked out of a hill into a terrace.  We don't have allotments here though.





Consider the perspective in this engraving :-)  How big ARE those melons in the back??








Friday, October 20, 2017

1892 - Lush Lithograph Showing Why We Plant Tulips

Ah...  how could anyone resist  John Lewis Childs' Fall Bulb Catalog?   We plant them because they can be awesome!





 I love those little dots....



 And just in case, like me, you wonder about the name "Bizard"

A Dictionary of Modern Gardening - Page 671 - Google Books Result

https://books.google.com/books?id=io5hAAAAcAAJ
George William Johnson - 1846 - ‎Gardening
It will be observed, that tulips are divided into different classes, and as the characteristics ... A Bizard tulip has a yellow ground, and coloured marks on its petals.


1877 - "Household Elegancies" Made From Seeds

Dreadful, aren't they?   I wonder how many exist today.  I suspect they have fallen prey to mice, or just fallen apart.   But so much work!!  

Then again, as a child and adult project it is rather nice.  Little ones get to admire the beans and keep their hands busy, the adult can finish it off.  In case you don't care to read how to make these, note that fresh beans were used so they are easily pierced by a tapestry needle.  In 1877 fresh beans with interesting patterns were more likely to be available to families. 

 1877 is an interesting time as it is at the starting point in agriculture where fewer people were needed to provide for the growing population due to machinery.  In 1850, more than 60% of people were on the farm.  In 1880 or a bit after it was more like 26% feeding a much larger population.

Household Elegancies: Suggestions in Household Art and Tasteful Home Decorations

By Mrs. C. S. Jones, Henry T. Williams




 



The following article appeared some years later and explains how to make some of the same items.
At first I thought they were the same illustrations, but they are not.


1884 - The young ladies' treasure book: A complete cyclopædia of practical instruction and direction for all indoor and outdoor occupations and amusements suitable to young ladies

Nut And Seed Work.

THE beauty of some seeds and nuts has caused ingenious persons to form them into objects of use. In pursuing this work, we would advise our friends to purchase many varieties of beans, and cultivate them with a view to appropriating them to fancy work; for of the exceeding beauty of some of these seeds, few persons, comparatively, have the remotest conception. 

Some of them are as beautifully mottled, spotted, marbled, and painted as the most elegant 
I think these are the acorn and white bead chains used to make fern holders.
mosaic-work, while their symmetrical form and highly enameled surface render them well adapted for the purpose of forming chain-work of every description.
 Many nuts, too, such as the horse-chestnut, have shells of such beauty, and capable of taking such a fine polish, that when arranged tastefully they appear like highly finished wood-carvings.

 Acorns may be made the medium of holding ferns in a variety of ways, either in a room, or, still better, in a greenhouse, or small window-garden, opening, perhaps, out of a back parlour or drawing-room.

The acorns are soft when new, and a hole may be readily made by slipping through them a large twine packing-needle. Thread them on wire—a large, round cut white-glass bead between every one.






Vase of Coloured Beans.

A vase we shall here describe may be made of any coloured or sized beans desired; but in selecting the beads which are to be combined with them, care must be taken to produce a tasteful combination.

The beans being soft when newly gathered, holes are easily pierced through them. Thread them through these holes on a wire, with a large round glass bead between each one.

Make first a ring for the bottom of the urn or vase, and another for the top, stringing the beans and beads upon them. The wire should be as thick as a large sized knitting needle. 

After making two circles for the top and bottom, form the sides by turning a hook over on the end of the wire and fastening it to the top ring, between the beans.  Pinch the wire close, with pliers, to conceal the joint. Thread this with the beans, etc., until it is sufficiently long to form the ribs of the vase, as shown in Fig. at A; to cross at the narrow part, to form the swelling part of the vase, B, and fasten again to the lower ring. This wire is then cut off with "tin-shears," and the other part formed in the same way, and both are then crossed by another, diagonally. 

If the urn is large, there may be two of these on each side, making six equal sides to the urn instead of four. Where they cross at the narrow part of the vase, bind them well together with fine zephyr or thread. These bindings must not show, and fine thread-wire is better than other material for fastening.

 Bend the six pieces into proper shape, by giving a regular and graceful curve ; join the wire to one of them, and carry it round the widest part of the urn, joining it with fine wire to every part where it crosses. Next put in the upper Vandykes, fastening the strung wires as before. The handles are rings of the beans and beads attached to each side, as shown in the illustration.

The beans should be of uniform size for each separate part, and the same number between each corresponding division; for instance, the bottom ring may contain thirty large beans, and the central circle fifty of medium size; then the divisions reaching between these should contain small ones, perhaps, but they must be alike in size and number. So also the Vandykes. 

Fill the vase with moss, green side out, and pack soil in the centre, in which plant ferns, etc. The effect of the moss against the beautifully coloured basket is lovely, and the crystal beads glisten out of the green like so many dew-drops.

 On page 139 (the above hanging fern basket) we show a hanging basket made of the nuts of the acorn, arranged in a similar manner. The acorn-nut should be held in the cup by means of the wire, and the beads for this should be either the crystal or opaque white, and of the size of a pea. Handles, made of rings of wire, are first strung with the acorns and beads, from which tassels of beads depend; one is also arranged at the bottom, and from the supports at the point where the three are joined.


Thursday, October 19, 2017

1892 - Litho Surfing on a John Lewis Childs' Fall Bulb Catalog



You can't beat a lithographed catalog for luxuriant surfaces.

Your attention can slide down the sweeps of color, twirl around a curlicue, and wipe out with a plop in the center of a blossom! 

Love it!!!
 
 











Wednesday, October 18, 2017

1891 - All Hail King Pumpkin


Goodness... 

What can I say?  
The poet's own phrase "necromancy keen" sort of sums this poem up!











































Good Housekeeping - 1891


Tuesday, October 17, 2017

1899 - Edgar Allan Poe and Pumpkin Pie


These bits and pieces turned up when I was looking for pumpkin pie poems.  
  They belong together!     

       ...

1891 - Edgar Allan Poe: His Life, Letters, and Opinions, By John Henry Ingram

Unattributed poem
and I forget where I found it! 

Monday, October 16, 2017

1887 - A Mother's Memories of Pumpkin Seed Craft for Little People

I enjoyed reading Clarissa Potter's memories of her childhood at the end of the instructions. Being a little "maker" is the natural state of children,  unfortunately parents flood them with pre-made stuff.  Kids don't know better when they fall for ads.  The fact kids love Legos so deeply shows their little clever souls are yearning to create their own things. Better than nothing!  but not as good as poking around and finding your own building materials.  



... A bag of dried pumpkin seeds holds resources of solid enjoyment for the little people who are experts in stringing buttons and beads, and can count. 


The forehanded, good man of our house and fields always dries and stores away many more such seeds than he possibly can use in planting time, and he knows it, so he makes no complaint when the children have a saucer of pumpkin seeds about, of which they are making mats and baskets. 

The oddest table mat I ever saw was made of a circle of paste board covered and bound with stout, bright flannel, and on the flannel were sewed scores, yes, hundreds of small, white, earthen buttons arranged in circles about the outer edge of the card board, and within in wild confusion. Next in oddness is one of pumpkin seeds, and children in the home, of both first and second childhood, enjoy making both mats.

To make a mat of pumpkin seeds, string at their points, on stout linen thread, nineteen seeds resting on their sides; draw snugly into a circle and fasten and break thread. Between each of these nineteen bases, string the points of two seeds. Again draw into a circle and tie thread. Between each of these nineteen pairs of bases string at their points three seeds; draw close and secure thread as before.

So far, mat and basket of pumpkin seeds are made alike. If the work is for a mat, continue increasing one seed to those strung at their points and placed between the bases of each succeeding circle. If you find the mat is rufiiing, getting fulness too fast, omit increasing the number of seeds strung at points for a row or more, to insure a smooth, flat mat. Finish outer row with a stout thread run through bases of pumpkin seeds, and then wind edge with a bright ribbon passed over and between the groups of seeds.

A pumpkin seed basket is made by continuing stringing seeds in triplets between bases of each preceding row till three rows are made besides the row of double seeds placed between the bases of the nineteen seeds of the first circle. This forms a flat base for basket with rounded sides.

A pretty bail is made by stringing on two wires, face to face, thirty-eight seeds; wires to run through bases and points, alternately, till a flat web is made the width of a pumpkin seed’s length. Fasten ends of bail wires to opposite edges of basket and then wind between each pair of seeds on edges of handle—the windings not to come opposite —-with narrow ‘ribbon. Finish basket with pretty ribbon knots placed over points where handle is fastened to basket.


In that bright, glad time of “when I was a little child,” we built ingenious houses and laid out: famous grounds with acorn cups and saucers, from which I think we derived more pleasure than children nowadays can from their patented, smartly painted building blocks. Acorn cups standing on their bases was our building material; the soft, warm hearth rug before the dining-room’s open fire, as near as possible to mother’s rocker, was our field of quiet enjoyment.

We grouped the acorns in a big square for the outer walls of the ground floor of our house, then filled in partition walls, leaving loop-holes for doors to our double parlors and cozy kitchen and bedrooms, with narrow walks between two long acorn rows for halls and corridors. Similar long, winding lanes led to our capacious barns and outbuilding, with cunning gateways opening into farm yards and outer fields. They were made of little cedar posts that would stand upright on their smoothly whittled bases, with lengths of tough rye straw for bars that needed continual letting down and putting up that the cattle might pass.

Watering troughs we had along every driveway and fence and wall. Flat-bottomed acorn saucers they were, filled with water. And our cattle ? Well, they were queer little blocks of cedar, with rounded heads and rumps, and four fat legs that were as uneven as the stanchions of broken-headed darning needles stuck in the floor, to which our cattle were tethered by means of a cotton thread looped round their chunky necks.

We then thought that it was the happy game, the cozy fire, the warm, bright sunshine fiecking the carpet that made the room so sunny and pleasant and our play and life so rich with happiness, but we know now, after all these long years, that it was mother’s presence, our nearness to her, and our safe trust in her for everything that made our child life so full of
comfort and sunshine.        — Clarissa Potter.


Clarissa Potter wrote for magazines.  She wrote about how to care for children as well as stories like this.