Thursday, May 10, 2018

1876 - Giant Potato at the Philadelphia Centennial Exhibition

Will you look at that monster tuber on the barrel!!



Bliss, B.K. & Sons, Seedsmen, 34 Barclay Street, New York, N.Y., Exhibit #36;


Centennial Photographic Co.. P.K. [sic] Bliss & Son's exhibit. [Albumen Prints]. Retrieved from https://libwww.freelibrary.org/digital/item/1581

Wednesday, May 9, 2018

1940 - Nice Seed Store Photo

The Library of Congress has extraordinary photos if you poke around to find them.  This one was taken in Grayville, Illinois 78 years ago in May.




Tuesday, May 8, 2018

1892 - Lithography Dots from Mastodon Corn; W. W. Barnard & Co




Litho Dots



I have to recover from my last poor choice in seed articles.

Here is a selection of my beloved dots from a back cover of a W. W. Barnard & Co catalog from 1892.

(Plus, any corn named Mastodon deserves not to be forgotten.)

Nice Link: The Flowering of Color Printing (About Lithography)


Lovely shell pattern of dots below :-)








Hexagonal dot filled patterns below are not all the same... which is what I find so attractive.




Monday, May 7, 2018

Seed Selling - Part 3 - THE GROWTH OF SEED HOUSES, EXPORT TRADE and SEED FARMS

You know, this article might be useful, but it is boring (unless you are really into it today). 
There is no gossip, or any details that make things come alive.  Even the photos are boring...I can't make myself copy them. 

The first part wasn't too bad...
But this sow's ear is staying just that...I'm outta here. 
(Link to article at bottom of post.)



This article, written in 1900 about the seed business, is a good overview of the growth of the seed industry. This post contains:

  • THE GROWTH OF SEED HOUSES.
  • THE EXPORT TRADE
  • SEED GROWING
  • ESTABLISHMENT OF SEED FARMS
  • RAPID INCREASE IN SEED GROWING DURING THE LAST FORTY YEARS






The seed trade has changed quite as much as has the catalogue. The barrel of peas has grown to hundreds of bags, and the few thousand of packets to millions.

The large modern seed stores, whether devoted to the local or to the mail trade, are models of convenience and of system.
In most of them fanning mills of the monitor or clipper type are constantly employed in cleaning and grading seeds, and from the cellar to the mailing room everything is so arranged that orders may be filled with accuracy and dispatch.


During the late summer and early fall the force is employed in addressing envelopes for catalogues and in packeting seeds in readiness for the busy months. In the order books there is an entry for every post office in every State, no matter whether an order has ever been received from that office or not.



Thirty years ago one hundred letters a day was considered a large business; to-day some houses receive over six thousand letters a day during the busy season. Firms that twenty years ago employed only one or two clerks now employ a hundred during the winter months.


Throughout the West the seed business has flourished; a Wisconsin firm writes that its business has increased 500 per cent in the last fifteen years; a single warehouse of a Western firm now has between 7 and 8 acres of floor space.



THE EXPORT TRADE

That the growth of the trade during the century has been great scarcely needs emphasizing, but it is difficult to secure figures showing the rate of increase. Only a few seed houses antedate the civil war, and the great majority are of recent origin; the statistics of exports date from 1855 and no separate records of imports of seeds were kept before 1873.

Clover and grass seeds, especially timothy, have always taken the lead in the seed export trade, and until recent years garden seeds have not been a considerable factor in the total values.
In 1825 some 10,000 bushels of clover seed were exported to England within a few months. How long this trade had existed we do not know. From 1855 to 1864 there is no record of any seeds exported except clover, but the value of exports increased from $13,570 in 1855 to $2,185,700 in 1863, the war apparently having no effect on the trade. (This is the data I found remarkable.)


The total value of the clover seed exported during this period aggregated $5,393,663.
...


SEED GROWING 

Before the beginning of the century only three seed farms had been established in the United States, though for many years seeds were grown by farmers and market gardeners. Home-grown clover and grass seeds, flax, hemp, and Connecticut onion seeds were on the market during colonial times, but the impression prevailed that garden seeds could not be successfully grown in America, and for the first sixty years of this century almost all the vegetable and flower seeds were imported.

It was natural that clover and grass seeds of American origin should be offered earlier than garden seeds. The former grew freely throughout the colonies and produced seed in abundance, while it required special skill and care to raise good garden seeds.

Eliot, in 1747, and Spurrier, in 1793, both refer to clover seed and grass-seed crops, and describe methods of harvesting and cleaning.

Nicholson, in the Farmers' Assistant, 1814, describes most of the grasses used to-day, and says that they seed freely.

Flaxseed was an article of export at an early day, and a considerable quantity of clover seed was sent to England in the early years of the century.


ESTABLISHMENT OF SEED FARMS.

The present development of garden-seed growing began when David Landreth established a small seed farm at Philadelphia in 1784. At first but a few acres were cultivated, and these were mostly occupied by the nursery. As the business grew, more land was added, until in 1860, some 600 acres were under cultivation near Philadelphia alone.

The Shakers, who came to America in 1774, began growing seeds at Mount Lebanon, N. Y., twenty years later. During the first quarter of the nineteenth century their seeds were more popular than any others, and outside of the large towns they supplied almost the entire demand. The well-known probity of these people and the excellent culture of their farms gave their seeds a wide reputation. Their wagons went from village to village, and they also sold on commission at 25 per cent, taking back the seeds that remained unsold.
In 1839 the Shaker colony at Tyringham, Mass., devoted 4 or 5 acres to the cultivation of garden, medicinal, and herb seeds, and their annual sales sometimes amounted to more than $3,000. A seed farm was established at Enfield, N. H., in 1795, one in Connecticut between 1810 and 1820, and three more before 1830.

Other seed farms existed for a short time, but were abandoned. The Clairmont seed gardens near Baltimore, Md., supplied some of the dealers of that city about 1851 and probably earlier.
At a still earlier day there was a seed garden in New Jersey, on which Grant Thorburn spent his fortune between 1808 and 1813. ...
 Of the other seed farms in existence in 1890, thirteen were established between 1830 and 1840; fifteen between 1840 and 1850, and nineteen during the following decade.

RAPID INCREASE IN SEED GROWING DURING THE LAST FORTY YEARS.

The opening of the civil war found the country still largely dependent upon imported garden seeds. The heavy taxes and the premium on gold raised the prices of all imported seeds to such an extent that the dealers began to look anxiously for a home supply. During the first year of the war the trade in seeds fell off, prices were high, and seeds scarce. This condition stimulated home production, and as many seed farms were established between 1860 and 1870 as during the thirty years before the war.


It was found that many vegetable seeds could be grown as well in this country as abroad, and that all kinds, for which the climate and soil were suitable, were much more safely grown under the eye of the dealer. Growers also became more expert, and market gardeners found that they could get as good seeds from the seedsman as they could save themselves, and at less than one-half the cost. The seed grower secured a critical and profitable trade, and the market gardener found a reliable source of supply for his seeds.


This critical trade and the constant demand for better varieties stimulated the seed grower to do his best work. Seeds of the standard varieties were more carefully grown and new sorts, earlier, larger, or of better quality made their appearance every year. But it was by demanding reliable seeds rather than new varieties that the market-garden trade exercised the best influence upon the seedsman. To a man who expended annually $100 to $300 per acre for labor and fertilizers, it was of the utmost importance that his seed should produce exactly what he expected, and he well knew that it was not economy to buy cheap seeds. It is valuable trade, when secured, was retained only by supplying seeds of the highest quality regardless of cost.


Since the close of the war the business of seed growing has rapidly increased. Notwithstanding some importers of seeds declared in 1867 that American seed growing was a myth, there were at that time more than 2,000 acres devoted to raising vegetable and flower seeds. In 1878, Mr. J. J. H. Gregory estimated the total area devoted to growing garden seeds at about 7,000 acres. Of these, 3,000 in the State of New York produced peas and beans; 250 acres, other vegetable seeds; and 50 acres, flower seeds.

The remainder was distributed as follows: Michigan and northern Illinois, 1,600 acres; Pennsylvania and New Jersey, 1,000 acres; Massachusetts, Rhode Island, and Connecticut, 1,000 acres. The acreage for California is not given, but seed growing in that State was then practically consigned to lettuce and onion seed, and the industry had been established for only about three years. Of the kinds of seeds which were sold in the United States, Mr. Gregory said:
More or less of half the varieties are imported. Of mangel-wurzel, about all; rutabaga, about nine-tenths; spinach, about nine-tenths; cauliflower, nearly all; lettuce, about half; carrots, about half; eggplant, about half; parsnip, about one-third; radish, about all. ... It is the general belief of American seedsmen that foreign-grown radish seed is larger and better than home-grown. Parsley seed is largely imported. Brussels sprouts, broccoli, chicory, endive, kohlrabi, and Swiss chard are almost wholly imported, as is salsify, to a large extent. Of celery, the finest varieties are grown in this country in the vicinity of our large cities. Of cucumbers, but a few, and those of the fancy-frame sorts, are imported.
Of peas, most of the hard sorts are home-grown, and probably rather more than half of what are called the softer or wrinkled varieties. The Dutch or rough-leaved turnip seeds are all home-grown. Of cabbage seed, but few varieties are imported, and these are confined almost wholly to a few early sorts. Onion seed is almost entirely an American crop."
 Gregory, J. J. H.: Culture of Vegetable Seeds, in the Report of the Connecticut Board of Agriculture, 1878, p. 110.

Besides the above, the seeds of beans, corn, squashes, tomatoes, and melons of all kinds were home-grown.

Friday, May 4, 2018

Seed Selling History - Part 2 - Development of the Seed Catalogue

This article is an overview from the standpoint of a writer in 1900.


DEVELOPMENT OF THE SEED CATALOGUE.


Along with the reaching out for trade beyond the limits of the home city came first the increasing size and prominence of the catalogue, and soon after a more attractive method of advertising. Seed catalogues were offered at least as early as 1805, but these were mere lists and were not intended for general distribution. For forty years most of them remained essentially price lists, and were offered only as an afterthought in an advertisement.


View entire catalog
 Grant Thorburn's catalogue is, so far as the writer knows, the only one issued in pamphlet form as early as 1823.  

In 1825 his little book of about 4 by 7 inches in size contained 87 pages. Besides the usual retail price list, there was a wholesale list, and catalogues of bulbs, of flowering plants, and of tools. Brief directions for planting were given, and there were some longer articles on the culture of special grasses.

Shortly before the civil war the catalogue became more prominent. It was increased in size and issued in pamphlet form. The varieties offered were more or less carefully described, cultural directions were given, and an almanac and calendar of gardening operations was a frequent and prominent feature.

A few illustrations appeared before 1867, but after that date their number steadily increased, and before 1870 colored plates were introduced.

There have been changes in the advertisements in some respects similar to, and in others quite different from, those which have taken place in the catalogue.  




The old advertisements contained long lists of varieties, with prices, and differed little in type and style from the body of the paper, though sometimes more striking headlines were used. Gradually the advertisement was decreased in size, but was made more striking to the eye, and the announcement of the new catalogue occupied a prominent place.

1863 - old style 
1871 - "new" style
























About 1870 the advertisements began to be more fully illustrated with cuts of those vegetables and flowers to which special attention was called. From this time on the style of advertising changed rapidly, always tending toward larger headlines, more illustrations, and such devices of the printer's art as would most surely catch and hold the reader's attention.
The early garden calendars were designed largely for distribution by the country dealers, who bought the seeds at wholesale. There was as yet but little direct contact with the distant consumer, as the mail trade was in its infancy. But with the increase of the postal facilities dealers began to depend more upon their catalogues.     The offer to send catalogues free became a prominent part of a seed advertisement, and every effort was made to render the catalogue attractive. Year by year the illustrations increased in number and quality, and pages of useful information gave it some title to rank as a garden guide.
1890s ad from Success with Flowers, a Floral Magazine



Novelties were not so numerous twenty years ago, and they did not receive the prominence the modern catalogue accords them. Before 1880 a special place in the seed catalogue was not generally given to novelties. 



Some firms gave prominence to new varieties, but many of the leading houses either ignored them or simply added to their regular list such as they found worthy. To-day, however, there is not an important catalogue but gives more or less space to novelties, and the descriptions of these are frequently printed on tinted paper or made attractive by devices of the printer's art. 


Some varieties remain in the novelty pages of one catalogue or another for years, and not infrequently a novelty will reach the age of two or three years in the catalogue of the same firm.  Seedsmen are on the alert for novelties; they are the money makers, and, besides, every really good introduction extends the reputation of the introducers. 

Many of the new varieties drop out after a year or two, being found wanting in some important particular and unable to make head against the old favorites; but others have intrinsic merit, and it is by the addition of these that our horticulture is enriched. The success of a novelty may be said to depend largely upon the introducers, since reputable firms endeavor to place only approved sorts in their novelty list; and, although even they are sometimes mistaken, the varieties thus introduced are more likely to possess merit than those heralded as possessing all sorts of impossible qualities and overburdened with a profusion of adjectives.

The modern catalogue is the seedsman's agent. It tells the prospective customer of the business it represents, setting forth in an attractive manner the superior merits of the seeds it offers. It must not only attract the eye, but must appeal to the judgment and to the imagination of the buyer.


 But the catalogue is more than the seedsman's agent—it is a text-book of horticulture. Millions of these illustrated catalogues find their way every year into rural homes. They are studied and compared, and much of the amateur gardener's knowledge of varieties is obtained from the seed catalogues. It is highly important, therefore, that the catalogue should be honest; it is perhaps too much to ask that it be conservative. 


The pictures should be as honest as the text, since the good effects of an accurate description may be ruined by an exaggerated illustration. Nor would honesty in text and figure exclude the proper praise of meritorious varieties; on the contrary, figures that are clearly not overdrawn and descriptions at once terse and complete will do more than the extravagant use of adjectives to inspire confidence, both in the qualities of the variety and in the seedsman's knowledge of them. Fortunately, most of our large houses do not seriously transgress in this matter; but there are some that do, and many irresponsible firms seem to think that they can make up in printer's ink what they lack in experience and reliability.

It would doubtless be difficult to say how many well-edited catalogues are published in the United States. Seedsmen would naturally differ in their judgment. In good catalogues two things are accomplished—the varieties are carefully described and so arranged that the purchaser can readily find what he wants. These catalogues describe in a few words the essential characteristics of the varieties, and in many cases these are grouped, as with cabbages, into first or early, second or summer, and late or autumn sorts; or with lettuce, as heading or not heading, and Cos varieties, for forcing or outdoor culture, and spring and summer varieties. This grouping is of great assistance to purchasers unfamiliar with the varieties described, helping them to select the sorts best suited to their location and needs.



Naturally, many more varieties are offered than are desirable in one garden. Some of these would be better left out, but they are popular in certain places and must be offered to hold that trade. Others, again, do better in one section of the country than in another, while a third class are merely synonyms of other varieties also catalogued. It is the aim of every careful seedsman to weed the synonyms out of his catalogue as much as may be; but with the present total lack of system in horticultural nomenclature it is difficult to arrive at perfection in this matter. 


So long as anyone can change a name and thus make new varieties from old ones, or can add his name to that of an established variety, a large number of synonyms must be expected, nor can the student of horticulture ever be sure that varieties of the same name are alike. It is also true that seedsmen often feel compelled to list names they know to be synonyms because the variety is known and called for under that name. It would be better, however, to list the variety under its proper name and add the synonym if necessary. 

A tendency in modern catalogue making that promises well for the future is the increase in the use of half-tone illustrations. Many of the leading catalogues are adopting this method of illustrating, and in some it has become a feature. 

ALERT:  My comments below :-)

Half-tone illustrations may be accurately depicting the plant's shape and size,
but YUCK!! they are awful!!  Compare this to the ones below.

The engraving has the most "life" to it! You had to trust the seedsman, then it seems the better illustration.  If people didn't know about your business's reliability, I guess photos were reassuring.

OK - back to the article below...

The older woodcuts, as well as many of the exaggerated illustrations of to-day, have lost their power to charm and to deceive. The public wishes to know as nearly as possible what the seed will produce under favorable conditions; it is the real, not the ideal, that is wanted. The seedsman may strive for the latter in breeding up his variety, but while this ideal is still unrealized he should hold his imagination in check when deciding on the illustrations for his catalogue. 

Summing up catalogue making, a writer a few years ago said: 

"The work of compilation on the modern catalogue is thorough and exhaustive, calling for vast knowledge of every branch of trade and an intimate acquaintance with a fluctuating market. The arrangement for a thorough supply of the stock to be advertised, the ability called into play to gauge what all his rivals are going to push and the prices they will charge, marshaling order out of chaos, writing and telegraphing to every corner of the globe, watching the work on the illustrations, and scores of minor matters to be regulated, call into play faculties of superior order, and make many a man old before his time from the tension on the system in the getting out of the great annual catalogue."





A Clever Person Shares on Their Blog

You might like this blog if you are interested in seed catalogs!